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28 stycznia, 2022
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DZIEŃ OTWARTY w eMotion Dance Academy! Program: Zajęcia dla dzieci: -> 14:00 Taniec dla najmłodszych 3-5 lat -> 14:30 Taniec towarzyski dzieci 6-8 lat -> 15:00 Taniec towarzyski 8+ lat
Nabór do grup na nowy sezon taneczny 2024/2025 https://emotiondance.pl/zapisy/ We wrześniu już tańczymy: Oświęcim: Junior Sport, Maluch (3-5 lat), Turniejówka, Bachata Lady Styling, Bachata Pary (Intermediate oraz Advance), Akrobatyka, Hip
Zapraszamy do naszej Akademii Tańca na zajęcia w nowym sezonie tanecznym!
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I grew up dancing, and for a while in college, I was a gym rat. I finally realized… I’m going to create a little more balance in my life and
NC tour A Canadian who lives in North Carolina, choreographer-on-the-rise Helen Simoneau is using her newest evening-length work, Caribou, to take a closer look at heritage, assimilation and identity. She studies these ideas through the iconic caribou—an enormously antlered animal beloved by our friends to the nort.
LONDON — The creature of “Frankenstein,” or “The Modern Prometheus,” as the author Mary Shelley subtitled her 1818 masterpiece, is perhaps literature’s most misunderstood and misrepresented character: more an infantile outcast longing for love than a vengeful monster chased by pitchfork-wielding mobs.
It is that misbegotten aspect that drew the choreographer Liam Scarlett to bring Shelley’s story to life in a full-length work for the Royal Ballet, running May 4-27.
While the thought of a dancing monster may strike some as funny — think Peter Boyle in a white-tie-and-tails routine with Gene Wilder in “Young Frankenstein” — for Mr. Scarlett it was a chance to reinterpret a story that has long enthralled, and often baffled, readers and audiences.
All dance companies are, inevitably, in perpetual transition, but that’s unusually pronounced just now at Pennsylvania Ballet, which opened a program of 21st-century choreography on Tuesday night at the Joyce Theater.
